(1660-1700 / 1715-1760)
“Les Lumieres”, “Aufklärung”
reason
targets: religion, aristocracy
deism, religious tolerance
progress
empiricism
encyclopedia
rise of the bourgeoisie
“les philosophes”
Candide
(1759)
Satire
Satire is the literary art of
diminishing a subject by making it
ridiculous and evoking toward it
attitudes of amusement, contempt,
indignation or scorn
Two types of characters in fiction
“a flat character” = a type, two-(or one-)dimensional, built around a single idea or quality, presented in outline, without much individualizing detail; can be described in a single phrase or sentence
“a round character” = complex in temperament and motivation; three-dimensional; represented with subtle particularity; capable of surprising us; difficult to describe
(from M.H. Abrams, A Glossary of Literary
Terms; following E.M. Forster, Aspects of the Novel)
“Bildungsroman”
- German term for “educational novel” or
“novel of formation”
- subject is the development of the protagonist’s
mind and character, as s/he passes from childhood through varied experiences—and
usually through a spiritual crisis—into maturity and the recognition of
his/her identity and role in the world.
- began with Goethe’s Wilhelm Meister’s
Apprenticeship (1795-96) and includes Thomas Mann’s The Magic Mountain
and Somerset-Maugham’s Of Human Bondage
(M. H. Abrams, A Glossary of Literary
Terms)
“Picaresque Novel”
- Spanish “picaro” = rogue
- genre emerged in sixteenth-century Spain
- the protagonist is a rascal who lives
by his or her wits through a long succession of adventures; tries to “beat
the system”—whichever system s/he encounters
- picaresque fiction is realistic in manner,
episodic in structure, and usually satiric in aim
- examples include Mark Twain’s Huckleberry
Finn and Daniel Defoe’s Moll Flanders
“Utopia”
- term invented by Thomas More
- an intended confusion between Greek
“eu-topos” (a good place) and Greek “ou-topos” (“no place”)
- this implies that the good place is
nowhere to be found
- a long tradition of “utopian” literature