http://www4.ncsu.edu/unity/users/m/morillo/public/579.html
Dr. J. Morillo
morillo@unity.ncsu.edu
Office = Tompkins 270. Office phone =
Office Hours: Th 1-3 F 12:30-2:30
Description: We will study a variety of representative Restoration plays from the dominant genre of comedy, but also some Heroic Drama and tragedy. We will explore works by men and women playwrights during this vibrant time for the theater, and how the theater responded to and helped shape the broader cultural contexts of the English Restoration period, from 1660 to the 17-teens. We will consider the parallel development of theories of drama by playwrights as well as critics in a time when the drama was often the center of religious, political, and aesthetic controversy. How did the theatre of this period respond to the cultural concerns and needs of the time, including the roles of the sexes in courtship, changing conceptions of virtue and definitions of the state?
Required Texts:To access this free resource from off campus you must have a working unity id and password in the campus computer system. For any E Book, search under the author's name in the main NCSU catalog to link to Early English Books Online for scans of the following complete primary texts:
Howard, Robert, Preface to the Duke of Lerma (1668)
Sheffield, John, Earl of Mulgrave An
Essay Upon Poetry (1682)
Dennis, John, The Dignity and
Usefulness of the Stage (1698)
OTHER ONLINE TEXTS
Dryden, John,
Essay of Dramatick Poesie (1668), ed. Jack Lynch: http://andromeda.rutgers.edu/~jlynch/Texts/drampoet.html
Collier, Jeremy, A Short View
of the Immorality and Profaneness of the English Stage (1698)
excerpts:
http://www.broadviewpress.com/drama/colliershort.htm
Addison, Joseph, Cato:
A Tragedy complete:
http://www.constitution.org/addison/cato_play.htm
----- and Richard Steele The Tatler and The Specator (1709;;1711) http://tabula.rutgers.edu/spectator/
ELECTRONIC RESERVES via D. H. Hill Library Reserve Room.
They are on reserve as electronic files. Works may be added to this
collection over the course of the semester. The library puts all
electronic reserve texts into .PDF files. That means you need the Adobe
Acrobat reader to read them. The program can be downloaded for free
from the library's reserve site. If you have any problem reading the
online files talk to Dr. Morillo.
To access this free resource from off campus you must have a working
unity id and
password in the campus computer system. Starting at the library
homepage www. lib.ncsu.edu
Under Services choose Reserves
then search under instructor name Morillo
The complete list of E RESERVE works is subject to change and is one
or more pages. Each link will load a pdf file into Acrobat reader.
Works on E Reserve:
Carlson, Marvin, "The Restoration and Eighteenth Century in
England,in
Theories of the Theatre (1993)
Centlivre, Susannah, The Busie Body (another
ed. of the complete play)
Congreve, William, "Concerning Humour in Comedy" (1695)
Dryden, John, "Of Heroic Plays" (1672)
----. "The Grounds of Criticism in Tragedy" (1679)
Farquhar, George, "A Discourse Upon Comedy" (1702) in Complete Works
Harth, Phillip, "Political Interpretations of Venice Preserv'd"
Howe, Elizabeth, "Introduction: the Restoration Theatre," in The First English Actresses (1992)
Kelsall, Malcolm, "Introductin to Venice
Preser'ved"
Kinney, Suz-anne, "Confinement Shapes the Invention"
Nagler, George, Source Book in
Theatrical History (in two files)
O'Neill, John. "The Rehersal," from George
Villiers, Second Duke of Buckingham
Stayan, J. L, "The Restoration Stage" and "The Georgian Theatre" in The English Stage (1996)
Other Resources:
NCSU Electronic BOOKS
http://www.lib.ncsu.edu/
then pick catalog, then the Electronic Books tab. search
via author, title, or key words
The Voice of the Shuttle
http://vos.ucsb.edu chose
Literature--English--Restoration and 18th Century--Authors, Works
Projects
18th-Century Studies Discussion List "Selected Readings,"
bibliography of current studies in the field
http://www.personal.psu.edu/special/C18/sr/sr.htm
Theatre Database
World of the London Theatre Project (U. Florida class projects)
http://www.nwe.ufl.edu/~pcraddoc/lonmen1.html
from this, pictures of theatre life
http://www.nwe.ufl.edu/~pcraddoc/pics.html
The Resotration
Comedy Project
RESEARCH RESOURCES: Books on Restoration Theater, Culture,
History
| W. Aug 17 |
Introduction. 1641-1660, Arts Under Suspicion, Restoration of the monarchy and a new state of theater. |
| M. Aug 22 |
Wycherley, The Country Wife (1675 ); E RESERVE: Howe, Introduction: the Restoration Theatre (1-18); Stayan, "The Restoration Stage" (237-249); |
| W. Aug. 24 |
E
RESERVE: Stayan , "The Restoration Stage,"
(255-6; 260-3 on The Country Wife);
Carlson, "The Restoration and Eighteenth Century in England"
(112-121) Recommended:
Aristotle Poetics http://classics.mit.edu/Aristotle/poetics.html |
| M. Aug. 29 |
Dryden, The Conquest of Grenada (1670); E RESERVE: Dryden, "Of Heroic Plays"; Stayan, "The Restoration Stage" (249-54) |
| W. Aug. 31 |
Dryden, An Essay of Dramatick Poesie (1668) http://andromeda.rutgers.edu/~jlynch/Texts/drampoet.html |
| M. Sept. 5 |
no class, Labor Day, but be reading Buckingham, The Rehersal (1671); |
| W. Sept. 7 |
E
RESERVE: Stayan, "Restoration Stage"
(253-4); O'Neill, John "The Rehersal" (81-110) |
| M. Sept. 12 |
Behn, The Rover (1677) |
| W. Sept. 14 |
E RESERVE: Kinney, "Confinement Sharpens the Invention" |
| M. Sept. 19 |
Dryden, All for Love (1677); E RESERVE: Dryden, "The Grounds of Criticism in Tragedy" |
| W. Sept. 21 |
Shakespeare, Antony and Cleopatra |
| F. Sept. 23 |
First Paper: Close Reading |
| M. Sept. 26 |
Otway, Venice Preserv’d (1682) |
| W. Sept. 28 |
E RESERVE: Kelsall, Introduction to Venice Preserv'd; Harth "Political Interpretations of Venice Preserv'd" |
| M. Oct. 3 |
Congreve, Love for Love (1695) |
| W. Oct. 5 |
E RESERVE: Congreve, "Concerning Humour in Comedy" |
| M. Oct. 10 |
Cibber, Love's Last Shift (1696) |
| W. Oct. 12 |
cont. |
| F. Oct. 14 |
|
| --begin
student teaching-- M. Oct 17 |
Vanbrugh, The Relapse (1696) |
| W. Oct. 19 |
Collier, from Short View of Immorality and Profaneness
of the Stage (url); Dennis, The
Dignity and Usefulness of the Stage (E BOOK) http://www.broadviewpress.com/drama/colliershort.htm |
| F. Oct. 21 |
Second Paper due at my office, noon |
| M. Oct. 24 |
Farquhar, The Beaux's Strategem
(1707)
Suzanna
Geiser Teaching |
| W. Oct. 26 |
E RESERVE: Farquahar, A Discourse Upon Comedy
Aaron Bobick Teaching |
| M. Oct. 31 |
Centlivre, The Busie Body (1709)
Meredith
Allen Teaching |
| W. Nov. 2 |
Kinney, "Confinement Sharpens the Invention"; Deidre Yancey Teaching Research Proposal Due |
| M. Nov. 7 |
Addison, Cato: A Tragedy (1713) http://www.constitution.org/addison/cato_play.htm
Eric
Gerson Teaching |
| W. Nov. 9 |
Addison, Spectators
no. 39, 40, 42, 44 http://tabula.rutgers.edu/spectator/
Nicole
Ackerman Teaching The Spectator #s 39, 40, 42, and 44 are all on tragedy. Here's how to get them easiest off the Rutgers site:. Instead of the Complete Spectator link or the search funcion, click Spectator XML (it's a more recent version of html and only needs a browser to be visible in full). Then in the right menu pick April 1711 issues. Then you'll see #39, 40, 42, 44. the dates and topics are as follows: #39 April 14, 1711 on tragedy #40 April 16, 1711 English writers & tragedy #42 April 18, 1711 Aristotle & tragedy #44 April 2, 1711 pity, terror, catharsis |
| M. Nov. 14 |
Steele, The Conscious Lovers (1722)
Kelly Mahaffey teaching |
| W. Nov. 16 |
Steele, Tatler no. 82 http://tabula.rutgers.edu/spectator/
Heather Lucking teaching |
| M. Nov. 21 |
performances |
| W. Nov. 23 |
no class, Thanksgiving break |
| M. Nov. 28 |
performances |
| W. Nov. 20 |
performances |
| F. Dec. 2 |
Research
Paper Due |