| English 562 | Dr. Morillo |
| Eighteenth-Century English Literature |
Tompkins G115 M, W 3-4:15 |
| Spring 2009 |
Office=Tompkins 270; phone: 513-8040 |
| email = morillo@unity.ncsu.edu | |
| web page syllabus = http://www4.ncsu.edu/unity/users/m/morillo/public/56209.html | |
| Office Hours: M W F 11:15-12 and by appointment | |
We will approach the rich field of eighteenth-century texts
from the
literary-historical perspective of genre, by studying a
variety of literary forms in poetry and prose in Britain from 1660 to
1790. These include satire in verse and prose; letters in verse and
prose; odes; elegies and epitaphs; sermons and devotional writing; and
weird works with no definite or
agreed upon genre.
Eighteenth-century writers were constantly reevaluating what should
count as literature, so will explore the way forms for writing poetry
and prose allowed authors to innovate carefully while remaining
anchored in
tradition; how men and women writers handled the same genres; which
genres were popular and why, and why some have survived better than
others. Throughout the readings we will learn the importance of
the rhetorical principle of decorum, of choosing a fit style for
different subjects and audiences. Though
we will not include the novel or drama, we will consider other kinds of
shorter prose fiction and nonfiction. We will study the works of
writers from a century of great intellectual range from which we have
inherited some
abiding interests. You will work with
older and recent
criticism
of genres and texts and pursue independent research.
Learning Outcomes:
Late papers are accepted only one class late, and with full
grade penalty. Any papers arriving later than that will not be
accepted. Papers are due at the
start of class, in class, printed out on paper.
How I Figure Your Grades
You must complete all the required work to pass the class. No opting
out of assigned work. I
will
grade plus/minus.
Percentages for each required graded category are figured via a
percentage of a 12-pt. scale in which
an A+ =12 and
an F=0 points. For example, a B+ on paper 2 (close-reading) would net
you 9 x .15 or
1.35 points toward the final 12. Or, a C in participation nets
you 5 x .15 or .75, an A
on the final exam nets you 11 x .25 or 2.75 points.
I then add up the percentage points for each required category to
determine
your grade from 0 to 12. For example, an 8.0 through 8.9 final
score = B for
the class.
Expected participation: come to class on time, with the appropriate
texts,
having read and thought about them enough to have something specific
and
intelligent to say or write about them. There will be quizzes to check
that you
are doing the readings.
Attendance: You are allowed 3 absences. If you are absent,
unexcused,
more than 3 times over
the course of the semester, your absences will count progressively
against your final grade.
Every 2 absences beyond
the allowed 3 loses you a half letter grade on the calculated final
grade. Anyone who misses the
first two classes can be immediately dropped from the class. For the
definition of an unexcused absence, see http://www.ncsu.edu/policies/academic_affairs/pols_regs/REG205.00.4.php
Box 7509, 515-7653. http://www.ncsu.edu/dso/
Academic Integrity Assumption
Universities are unique communities committed to creating and
transmitting
knowledge. They depend on freedom - individuals' freedom to explore
ideas
and to explore and further their own capabilities. Those freedoms
depend
on the good will and responsible behavior of all the members of the
community,
who must treat each other with tolerance and respect. They must allow
each
other to develop the full range of their capabilities and take full
advantage
of the institution's resources.
Syllabus
| W Jan 7 |
Introduction Cultural
Timeline Reading poetry: fundamentals of prosody |
| M 12 Satires |
Daniel Defoe The True-Born Englishman, A Satire (1700) and 1703 ed. Preface by Defoe |
| W 14 |
John
Wilmot, Earl of Rochester
"A Satyr on Reason and Mankind" (1680) on
"right Reason"; Rochester "Upon Nothing" ; Defoe on "Upon Nothing; |
| M 19 |
NO CLASS, KING DAY |
| W 21 |
Aphra Behn "The Golden Age" (1684)
on
Golden Age mythology Tasso Aminta Paper 1 Due, Close Reading |
| M 26 |
Jonathan Swift A Tale of the Tub (1704) A
Text Map of the Tub |
| W 28 |
A
Tale of the Tub |
| M Feb 2 |
A
Tale of the Tub |
| W 4 |
|
| M 9 |
Alexander Pope The Rape
of the Lock (1714) a hypertext edition |
| W 11 |
Alexander Pope The Rape of the Lock (1714) The card game page is no longer online |
| F. 13 |
Paper
2 Due: Reading 18th-century Criticism |
| M 16 Sermons & Devotions |
John Bunyan Grace Abounding; Margaret Fox Women's Speaking Justified; Margaret Cavendish Description of a New World (all 1666) |
| W 18 |
Jonathan Swift On Sleeping in Church (1744); George Whitefield Sermon 28, How to Hear Sermons |
| M 23 | Joseph Butler, Sermon III (1740); John Wesley, Sermon 52 (1763) Matt Holmes presents |
| W 25 |
Christopher Smart, from Jubilate Agno Norrie Meus presents |
| M-W March 2-14 |
spring break-no class |
| M 9 Odes |
Pindaric Odes Myths of Pelops and Tantalus /Story outline of Olympian I Pindar, Olympian I Pindar, Olymian I Way's verse translation Pindar's Olympian I read in Greek Abraham Cowley The Second Olympian Ode of Pindar |
| W 11 |
John
Dennis on the Pindaric Ode William Congreve, A Discourse on the Pindarique Ode ; Prosody in Ode on the Victories of Marlborough |
| M 16 |
Anne
Finch, The Spleen; Maureen Cunnignham presents Thomas Gray, The Progress of Poesy |
| W 18 |
Horatian Odes Horace, Ode I.5, I.10 and Ode I.3; John Milton, translation of Ode I.5; John Dryden, translation of Horace I.10 and I.3 Kristin Kirkland presents PowerPoint on Horatian Odes A Short Dissertation upon Horace An Horatian ode read in Latin |
| M 23 |
Behn "Ode to Love"; Elizabeth Carter
"Ode to Melancholy" (1739); Carter, Essay
On Fancy (1770) Katherine Pearl presents |
| W 25 |
William Collins "Ode to Fear" "Ode on the Poetical Character", "Ode to Evening" (1747-8); Wordsworth. Remembrance of Collins in "Lines Written Near Richmond" Stacey Bigliardi presents |
| F 27 |
Paper 3
Due: Reading Current Criticism |
| M 30 letters & epistles | Alexander Pope "To Lady Mary W.
Montagu" (1717); Montagu, "To Mr. Alexander Pope (both letters) Pope Eloisa to Abelard (1717) Becky Finken presents |
| W Apr 1 |
Pope Of the Characters of Women: An Epistle to a Lady (1735) Matt Marusak presents |
| M 6 epitaphs & elegies |
Dryden To the Pious Memory of Mrs. Anne Killigrew; Pope Elegy to the Memory of an Unfortuante Lady Madison Natt presents |
| W 8 |
Philips, "Epitaph on Her Son" (1667); Behn, "Epitaph on the Tombstone of a Child" (1685); Prior, "For My Own Tomb-stone" 1718); Jones, "Her Epitaph" (1750) Anne Rudisill presents |
| F 10 | |
| M 13 |
Cowper ; "Epitaph on a Hare" (1784) "On a Goldfinch" (1782) "To the Immortal Memory of the Halibut on which I Dined this Day" (1784) Amy Heishman presents |
| W 15 |
Thomas Gray An Elegy
Wrote in a Country Church Yard
(1751) Zach Finch presents |
| M 20 apologue | Samuel Johnson The History of Rasselas (1759) Mary Gulledge presents |
| W 22 |
tba |
| W April 29, exam week |
Final Papers Due As file emailed to me before NOON |
|
supplementary reading: satire |
Swift "Beautiful Young Nymph Going to Bed"; The Lady's Dressing Room" (1732); Mary Montagu "Reasons that Induced Dr. S-- to Write a Poem Called the Lady's Dressing Room" (1732-4) |