| English 550 |
Dr. Morillo |
| Romantic Period British
Literature |
Tompkins Winston 002
M, W 1:30-2:45 |
| Fall 2011 |
Office=Tompkins 270; phone: 513-8040 |
| email = morillo@unity.ncsu.edu | |
| web page syllabus = http://www4.ncsu.edu/unity/users/m/morillo/public/55011.htm | |
| Office Hours: M, T, W 10:30-12:00 and by appointment | |
Restrictions
= MA or advanced BA standing
Learning Outcomes:
Late papers are accepted only one class late, and with full
grade penalty. Any papers arriving later than that will not be
accepted. Papers are due at the
start of class, in class, printed out on paper.
How I Figure Your Grades
You must complete all the required work to pass the class. No opting
out of assigned work. I
will
grade plus/minus.
Percentages for each required graded category are figured via a
percentage of a 12-pt. scale in which
an A+ =12 and
an F=0 points. For example, a B+ on paper 1 (close-reading) would net
you 9 x .15 or
1.35 points toward the final 12. Or, a C in participation nets
you 5 x .10 or .5, an A
on the final paper nets you 11 x .25 or 2.75 points.
I then add up the percentage points for each required category to
determine
your grade from 0 to 12. For example, an 8.0 through 8.9 final
score = B for
the class. Between x.0-3 I may curve down, and between x.7-9 I may
curve up.
Expected participation: come to class on time, with the appropriate
texts,
having read and thought about them enough to have something specific
and
intelligent to say or write about them. There will be quizzes to check
that you
are doing the readings.
Academic Integrity Assumption
Universities are unique communities committed to creating and
transmitting
knowledge. They depend on freedom - individuals' freedom to explore
ideas
and to explore and further their own capabilities. Those freedoms
depend
on the good will and responsible behavior of all the members of the
community,
who must treat each other with tolerance and respect. They must allow
each
other to develop the full range of their capabilities and take full
advantage
of the institution's resources.
Syllabus
Note that papers are due on Fridays, though we don't have class
that day
Pages in Romanticism an
Anthology are indicated for each text
other readings are from the Cambridge
Companion and online
| **Always read the brief
biography for every author we read |
|
| W Aug 17 |
Introduction
Romantic Chronology Romantic Circles Reading formal poetry |
| M Aug 22 |
On
the New Literature Later Called Romantic Introduction to Romanticism, an Anthology Wordsworth, Advertisement to Lyrical Ballads (330 ); selections from Preface to Lyrical Ballads (495-507); Baillie, from Introductory Discourse to her Plays on the Passions (308-15); Coleridge, from Biographia Literaria (691-4) Curran "Romantic Poetry: Why and Wherefore?" Cambridge Companion to British Romanticism |
| W Aug 24 |
About
the Revolution in France: History World overview, and more detail Victoria Web overview Wikipedia |
| M Aug 29 |
Representing
Revolution: Price (4-6); Burke (10-16); Paine
(24-27); Godwin (153-5); Williams (296-307); Wollstonecraft (278-85) Dawson "Poetry in an Age of Revolution," in Cambridge Companion (56-81) |
| W Aug 31 |
cont
Wordsworth, "Paris, Dec. 1791" (558) and "Godwinism" (563) from 13-Book Prelude Coleridge France, an Ode (630) and Fears in Solitude (633) Dawson "Poetry in an Age of Revolution," cont. |
| M Sept 5 Labor Day |
NO CLASS but read Hogle "Romanticism, Schools of Criticism and Theory" Cambridge Companion |
| W Sept 7 |
Blake:
Religion, Reason, Passion, and Radical Art Eaves "The Sister Arts" in Cambridge Companion (229-261) Songs of Innocence and Experience (all poems 179-206) with illuminations in Blake Archive |
| M Sept 12 |
Songs
cont. |
| W Sept 14 |
There is
No Natural Religion"; "All Religions are One" (174-5) |
| F Sept 16 |
First Paper
Due |
| M Sept 19 |
Marriage
cont. |
| W
Sept 21 |
First Book of Urizen (223-40) with illuminations in Blake Archive |
| M Sept 26 |
Wordsworth & Coleridge: Lyrical Ballads and the Poetic
Revolution Advertisement to Lyrical Ballads (330); Coleridge Rime of the Ancient Mariner (332-49) "Foster Mother's Tale" (349-51); "The Nightingale" (353-6) "The Dungeon" (384-5) |
| W Sept 28 |
Representing Coleridge and Wordsworth Hazlitt "Mr.
Coleridge" (784-91); Barbauld "To Mr. Coleridge" (42); Robinson "Mrs.
Robinson to the
Poet Coleridge" (254-6); Hemans "To
Wordsworth" ; Hazlitt "Mr. Wordsworth" |
| M Oct 3 |
All
Wordsworth poems in Lyrical Ballads :
focus on "Simon Lee"; "Goody Blake and Harry Gil"l; "The
Thorn" |
| W
Oct 5 |
Wordsworth in Lyrical Ballads cont.focus
on "The Idiot Boy," "Lines Composed a Few Miles Above Tintern
Abbey"; |
| M Oct 10 |
Wordsworth from Lyrical Ballads vol. II: Michael: A Pastoral Poem (510-21) ,
"A Slumber Did My Spirit Seal" (478) Discussion Leader: Etaf Hatu |
| W Oct 12 |
Coleridge, Reluctant Poet "Lime-Tree
Bower" (612-17) "Frost at Midnight," (625) "Kubla Khan," (619-23)
Christabel (639-55) Discussion Leader: Ali Mitchell |
| M Oct 17 |
Wordsworth
representing Wordsworth The
Two-Part Prelude (448-73) Discussion Leader: Heather Nocera |
| W Oct 19 |
Women's Voices, 1790s Curran "Women Readers, Women Writers" in Cambridge Companion Williams, from Letters Written in France 1790 (see above) More Slavery: A Poem (67-73) Charlotte Smith The Emigrants (100-121) Barbauld "To a Lady with some Painted Flowers" The Rights of Woman (41-2) Discussion Leader: Megan Nichols |
| M Oct 24 |
A Conservative Sums up Radical
1790s READ the 31-page pose introduction, the brief prose preface, and then the first 6 pages of the poem itself, more if you wish Discussion Leader: |
| W Oct 26 |
Byron:
Mad, Bad and Dangerous to Know? "She Walks in Beauty" (848) "Destruction of Sennacherib" "Darkness" (894-6) "Prometheus" (887) Discussion Leader: |
| M Oct 31 |
Manfred
Act I (896-905) Brown "Romanticism and Enlightenment" in Cambridge Companion (34-55) Discussion Leader: Rachel Phillips |
| W Nov 2 |
Manfred
Acts II, III (906-932) Discussion Leader: Please download and read this word file Manfred.doc |
| F. Nov 4 |
Research Paper Proposal Due |
| M Nov 7 |
Percy Shelley:
Ineffectual Angel or Indefatigable Interlocutor? "To William Wordsworth" (1052); Alastor, or the Spirit of Solitude with Preface (1053-71) Discussion Leader: Syanne Olson |
| W Nov 9 |
Coleridge "Aeolian Harp"
(601-6) Shelley "Ode to the West Wind" (1175-7)"Ozymandias"
(1079) "England
in 1819" (1180) Discussion Leader: Hanhan Zhang |
| M Nov 14 |
Coleridge
"Hymn Before Sunrise, Chamounix"
(677-9); Shelley, Mont
Blanc (1075-8) ; Frances
Ferguson "Shelley's
Mt Blanc: What the Mountain
Said" Discussion Leader: Erin Warren |
| W Nov 16 |
from Defence
of Poetry (1184-99) ; Johnson
Rasselas
Chaps. 10-11 Discussion Leader: Michael Crisci |
| F Nov 18 |
|
| M Nov 21 |
Keats: One Whose Name Was Writ on Water "On First Looking into Chapman's Homer" (1342); "On Sitting Down to
Read King Lear Once Again" (1351)
|
| W Nov 23 |
no class, Thanksgiving break |
| M Nov 28 |
from Endymion (1344-8); Lockhart rev. of the Cockney School (1327); Butler "Culture's Medium: The Role of the Review" in Cambridge Companion (127-54) Discussion Leader: Logan Taylor |
| W Nov 30 |
Keats: "Ode on Melancholy" (1400) "Ode on Indolence" (1401-2) "Ode to Psyche" (1393-4) Keats: "Ode
to a Nightingale" (1395-7) "Ode
on a Grecian Urn" (1397-9) "To Autumn" (1419-20) |
| Friday Dec. 9 |
Final Paper Due by noon, as file attached to email to morillo@ncsu.edu |
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ONLINE CLASS EVALUATION FORMS: https://classeval.ncsu.edu |
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