English 462 Dr. Morillo
Eighteenth-Century English Literature
Winston 20    M, W  1:30-2:45
Fall 2009
Office=Tompkins 270; phone: 513-8040
email = morillo@unity.ncsu.edu
web page syllabus = http://www4.ncsu.edu/unity/users/m/morillo/public/46208.html
Office Hours: M W 10:00-12; T 10:30-12:00  and by appointment

Description:

We will approach the expanding field of eighteenth-century texts from the perspectives of representation and genre, by studying a variety of literary forms in poetry and prose in Britain from 1660 to 1790. These include three dominant modes of representation in this period: personification, satire, and neoclassicism --the imitation and emulation of ancient Greek and Latin literature from the classical period-- and several prominent genres in verse and prose, including sermons and devotional writing, literary criticism, elegies and epitaphs. Eighteenth-century writers were constantly reevaluating what should count as literature, so we will explore the way forms for writing poetry and prose allowed authors to innovate carefully while remaining anchored in tradition; how men and women writers handled the same modes of representation and genres; which works were popular and why, and why some have survived better than others. Throughout the readings we will learn the importance of the rhetorical principle of decorum, of choosing a fit style for different subjects and audiences. Though we will not include the novel or drama, we will consider other kinds of shorter prose fiction and nonfiction. We will study the works of writers from a century rich in intellectual range and from which we have inherited some abiding interests.

Prerequisite = Sophomore standing

Learning Outcomes:

Required Text: NCSU Bookstore

Demaria, Robert ed. British Literature 1640-1789: An Anthology. Third Edition. $49.95 list new.

Additional Texts:

Print Resources on Genre, Literature, and Culture

Course Reserves for ENG462

Online Eighteenth-Century Studies Resources

There are some notably fine research resources for studying this period and many are online.  One of the best for finding scholarship on all the major authors and topics is called C18-L, an interdisciplinary discussion list and web site. It has a bibliography-database, called Selected Readings" of  scholarship for the last 10 years here:
http://www.personal.psu.edu/special/C18/c18-l.htm
click on "Selected Readings"

Early English Books Online (EEBO)  via Hill Library www.lib.ncsu.edu --> databases --> E   (for primary texts from the Restoration, up to the year 1700)
English Poetry Database, 600-1900. Essentially the complete poetic canon in English   http://www.lib.ncsu.edu  then follow these links: ---> Database Finder--> E-->
Oxford  English Dictionary (OED)   http://www.lib.ncsu.edu  ---> Database Finder--> O (the best dictionary for knowing what usages were current at a given time)

Course Requirements
:

Regular Attendance
: You are allowed 3 absences. If you are absent, unexcused, more than 3 times over the course of the semester, your absences will count progressively against your final grade for the course. Every 2 absences beyond the allowed 3 loses you a half letter grade on the calculated final grade. Anyone who misses the first two classes can be immediately dropped from the class. For the definition of an unexcused absence, see http://www.ncsu.edu/policies/academic_affairs/pols_regs/REG205.00.4.php

Late papers are accepted only one class late, and with full grade penalty. Any papers arriving later than that will not be accepted. Papers are due at the start of class, in class, printed out on paper.

How I Figure Your Grades

You must complete all the required work to pass the class. No opting out of assigned work.  I will grade plus/minus.

Percentages for each required graded category are figured via a percentage of a 12-pt. scale in which an A+ =12 and
an F=0 points. For example, a B+ on paper 1 (close-reading) would net you 9 x .15 or 1.35 points toward the final 12.  Or, a C in participation nets you 5 x .20 or 1.0, an A on the final exam nets you 11 x .25 or 2.75 points.
I then add up the percentage points for each required category to determine your grade from 0 to 12.  For example, an 8.0 through 8.9 final score = B for the class.

Expected participation: come to class on time, with the appropriate texts, having read and thought about them enough to have something specific and intelligent to say or write about them. There will be quizzes to check that you are doing the readings.

Plagiarism: Anyone convicted will receive an F for the paper, or the course at my discretion. And yes, I have caught people in the past--in this course, in fact.

Disabilities:
Reasonable accommodations will be made for students with verifiable disabilities. In order to take advantage of available accommodations, students must register with Disability Services for Students at 1900 Student Health Center, Campus

            Box 7509, 515-7653. http://www.ncsu.edu/dso/

Academic Integrity Assumption
Universities are unique communities committed to creating and transmitting knowledge. They depend on freedom - individuals' freedom to explore ideas and to explore and further their own capabilities. Those freedoms depend on the good will and responsible behavior of all the members of the community, who must treat each other with tolerance and respect. They must allow each other to develop the full range of their capabilities and take full advantage of the institution's resources.



Syllabus (Note that papers are due on Fridays and will be put in an envelope on my office door, Tompkins 270)

W Aug 19
 Introduction   Reading formal poetry           Cultural Timeline
M Aug 24
Personification
Anne Finch "The Spleen" (1713) 
W Aug 26

Elizabeth Carter "Ode to Melancholy" (1739)
M Aug 31
William Collins "Ode to Fear" ; "Ode to Evening" (1747-8); Charlotte Smith, sonnets "To Hope" "To Friendship" (1784) reading questions
W Sep 2
Hannah More "Sensibility" (1782);  Ann Yearsley "To Indifference" (1787)
M Sep 7
NO CLASS, LABOR DAY
W Sep 9
Satire
Daniel Defoe The True-Born Englishman, A Satire (1700) and Book II and 1703 ed. Preface by Defoe
F Sep 11

First Paper Due
M Sep 14
John Wilmot, Earl of Rochester "A Satyr on Reason and Mankind" (1680) Defoe on Rochester
W Sep 16

Jonathan Swift "The Lady's Dressing Room" (1732); Mary Montagu "Reasons that Induced Dr. S-- to Write a Poem Called the Lady's Dressing Room" (1732-4)

M Sep 21
Alexander Pope The Rape of the Lock (1714)
W Sep 23
Pope, Lock continued; Anne Finch "The Answer (To Pope's Impromptu)" (17--)
sylphs and ideology
F Sep 25
Copy of chosen article/chapter (see paper 3) due
M Sep 28
Criticism
John Dryden, "A Discourse Concerning the Original and Progress of Satire" (1693): paragraphs 72-74 ; ;103-107; 109-128. Charles Abbot "Essay on Satire" (1784): read all   Charles Abbot's biography
W Sep 30
Pope Essay on Criticism
F Oct 2
Second Paper Due            Anthology of Student Creative Writing
M Oct 5  John Dennis, from Advancement and Reformation of Modern Poetry (1701) Read Part I Ch. V -VI (pp. 32-4) and from Grounds of Criticism in Poetry (1704) read Ch. IV (pp. 37-9). All are reprinted in Google Books' copy of The Sublime: A Reader in British 18th-Century Aesthetic Theory
W Oct 7
Edmund Burke, from Philosophical Inquiry into the Origin of our Ideas of the  Sublime and Beautiful (1757) pp. 924-930
Th-F Oct  8-9
fall break
M Oct 12
Devotions & Sermons

John Bunyan Grace Abounding (1666); Margaret Fox Women's Speaking Justified (1666);
W Oct 14
Jonathan Swift On Sleeping in Church (1744); About the Anglican Church (Church of England) George Whitefield Sermon 28, How to Hear Sermons
M Oct 19
Prose Fiction

Margaret Cavendish Description of a New World (all 1666)
W Oct 21 Samuel Johnson The History of Rasselas (1759)
M Oct 26
Johnson Rasselas continued   Johnson's Prose Style
W Oct 28 Neoclassicism

Ovid from Metamorphoses, trans. Samuel Garth, John Dryden;   Tasso Aminta   Aphra Behn "The Golden Age" (1684) on Golden Age mythology
M Nov 2
Ovid from Metamorphoses; Dryden "Pygmalion and the Statue" (1700)
W Nov 4

Juvenal, Satire 10; Johnson, The Vanity of Human Wishes (1749)
M Nov 9
Virgil, Georgic I; and Aneid Bk II.  (Dryden trans. )
W Nov 11
Swift, A Description of a City Shower (1710); John Gay, from Trivia (1720)
F Nov. 13 Third Paper Due
M Nov 16
 

Elizabeth Carter "On the Indulgence of Fancy" (1770)
W Nov 18
epitaph & elegy

 Philips, "Epitaph on Her Son" (1667); Behn, "Epitaph on the Tombstone of a Child" (1685); Prior, "For My Own Tomb-stone" 1718); Jones, "Her Epitaph" (1750)
M  Nov 23  Cowper ; "Epitaph on a Hare" (1784) "On a Goldfinch" (1782) "To the Immortal Memory of the Halibut on which I Dined this Day" (1784)
W Nov 25
no class, Thanksgiving break
M Nov 30

Thomas Gray An Elegy Wrote in a Country Church Yard (1751)


Gray's Latinate Syntax
W Dec 2
Gray Elegy cont.   ONLINE CLASS EVALUATION FORMS: https://classeval.ncsu.edu
Please fill out a class evaluation.
M. Dec. 7
All Creative Projects, final form, Due at My Office, NOON

W Dec 16


Final Exam
1-4 pm in Winston 20

     


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