| English 462 | Dr. Morillo |
| Eighteenth-Century English Literature |
Winston 20 M, W 1:30-2:45 |
| Fall 2009 |
Office=Tompkins 270; phone: 513-8040 |
| email = morillo@unity.ncsu.edu | |
| web page syllabus = http://www4.ncsu.edu/unity/users/m/morillo/public/46208.html | |
| Office Hours: M W 10:00-12; T 10:30-12:00 and by appointment | |
We will approach the expanding field of eighteenth-century texts
from the perspectives of representation and genre, by studying a
variety of literary forms in poetry and prose in Britain from 1660 to
1790. These include three dominant modes of representation in this
period:
personification, satire, and neoclassicism --the imitation and
emulation of ancient Greek and Latin literature from the classical
period-- and
several prominent genres in verse and prose, including sermons and
devotional writing, literary criticism, elegies and epitaphs.
Eighteenth-century writers were constantly reevaluating what should
count as literature, so we will explore the way forms for writing poetry
and prose allowed authors to innovate carefully while remaining
anchored in
tradition; how men and women writers handled the same modes of
representation and genres; which
works were popular and why, and why some have survived better than
others. Throughout the readings we will learn the importance of
the rhetorical principle of decorum, of choosing a fit style for
different subjects and audiences. Though
we will not include the novel or drama, we will consider other kinds of
shorter prose fiction and nonfiction. We will study the works of
writers from a century
rich in intellectual range and from which we have inherited some
abiding interests.
Prerequisite = Sophomore standing
Learning Outcomes:
Late papers are accepted only one class late, and with full
grade penalty. Any papers arriving later than that will not be
accepted. Papers are due at the
start of class, in class, printed out on paper.
How I Figure Your Grades
You must complete all the required work to pass the class. No opting
out of assigned work. I
will
grade plus/minus.
Percentages for each required graded category are figured via a
percentage of a 12-pt. scale in which
an A+ =12 and
an F=0 points. For example, a B+ on paper 1 (close-reading) would net
you 9 x .15 or
1.35 points toward the final 12. Or, a C in participation nets
you 5 x .20 or 1.0, an A
on the final exam nets you 11 x .25 or 2.75 points.
I then add up the percentage points for each required category to
determine
your grade from 0 to 12. For example, an 8.0 through 8.9 final
score = B for
the class.
Expected participation: come to class on time, with the appropriate
texts,
having read and thought about them enough to have something specific
and
intelligent to say or write about them. There will be quizzes to check
that you
are doing the readings.
Box 7509, 515-7653. http://www.ncsu.edu/dso/
Academic Integrity Assumption
Universities are unique communities committed to creating and
transmitting
knowledge. They depend on freedom - individuals' freedom to explore
ideas
and to explore and further their own capabilities. Those freedoms
depend
on the good will and responsible behavior of all the members of the
community,
who must treat each other with tolerance and respect. They must allow
each
other to develop the full range of their capabilities and take full
advantage
of the institution's resources.
Syllabus (Note that papers are due on Fridays and will be put in an
envelope on my office door, Tompkins 270)
| W Aug 19 |
Introduction Reading
formal poetry Cultural
Timeline |
| M Aug 24 Personification |
Anne Finch "The Spleen" (1713) |
| W Aug 26 |
Elizabeth Carter "Ode to Melancholy" (1739) |
| M Aug 31 |
William Collins "Ode to Fear" ; "Ode to Evening" (1747-8); Charlotte Smith, sonnets "To Hope" "To Friendship" (1784) reading questions |
| W Sep 2 |
Hannah More "Sensibility" (1782); Ann Yearsley "To Indifference" (1787) |
| M Sep 7 |
NO CLASS, LABOR DAY |
| W Sep 9 Satire |
Daniel Defoe The True-Born Englishman, A Satire (1700) and Book II and 1703 ed. Preface by Defoe |
| F Sep 11 |
First Paper Due |
| M Sep 14 |
John Wilmot, Earl of Rochester "A Satyr on Reason and Mankind" (1680) Defoe on Rochester |
| W Sep 16 |
Jonathan Swift "The Lady's Dressing Room" (1732); Mary Montagu "Reasons that Induced Dr. S-- to Write a Poem Called the Lady's Dressing Room" (1732-4) |
| M Sep 21 |
Alexander Pope The Rape of the Lock (1714) |
| W Sep 23 |
Pope,
Lock continued; Anne Finch "The Answer (To Pope's Impromptu)" (17--) sylphs and ideology |
| F Sep 25 |
Copy
of chosen article/chapter (see paper 3) due |
| M Sep 28 Criticism |
John Dryden, "A Discourse Concerning the Original and Progress of Satire" (1693): paragraphs 72-74 ; ;103-107; 109-128. Charles Abbot "Essay on Satire" (1784): read all Charles Abbot's biography |
| W Sep 30 |
Pope Essay on
Criticism |
| F
Oct 2 |
Second
Paper Due Anthology of Student Creative Writing |
| M Oct 5 | John Dennis, from Advancement and Reformation of Modern
Poetry (1701) Read Part I Ch. V -VI (pp. 32-4) and from Grounds of Criticism in Poetry (1704) read Ch. IV (pp. 37-9). All are reprinted in Google Books' copy of The Sublime: A Reader in British 18th-Century Aesthetic Theory |
| W Oct 7 |
Edmund Burke, from Philosophical Inquiry into the Origin of
our Ideas of the Sublime and Beautiful (1757) pp. 924-930 |
| Th-F Oct 8-9 |
fall break |
| M Oct 12 Devotions & Sermons |
John Bunyan Grace Abounding (1666); Margaret Fox Women's Speaking Justified (1666); |
| W Oct 14 |
Jonathan Swift On Sleeping in Church (1744); About
the Anglican Church (Church of
England) George Whitefield Sermon
28, How to Hear Sermons |
| M Oct 19 Prose Fiction |
Margaret Cavendish Description of a New World (all 1666) |
| W Oct 21 | Samuel Johnson The History of Rasselas (1759) |
| M Oct 26 |
Johnson Rasselas continued Johnson's Prose Style |
| W Oct 28 Neoclassicism |
Ovid from Metamorphoses, trans. Samuel Garth, John Dryden; Tasso Aminta Aphra Behn "The Golden Age" (1684) on Golden Age mythology |
| M Nov 2 |
Ovid from Metamorphoses; Dryden
"Pygmalion and the Statue" (1700) |
| W Nov 4 |
Juvenal, Satire 10; Johnson, The Vanity of Human Wishes (1749) |
| M Nov 9 |
Virgil, Georgic I; and Aneid Bk II.
(Dryden trans. ) |
| W Nov 11 |
Swift, A Description of a City Shower
(1710); John Gay, from Trivia
(1720) |
| F Nov. 13 | Third Paper Due |
| M Nov 16 |
Elizabeth Carter "On the Indulgence of
Fancy" (1770) |
| W Nov 18 epitaph & elegy |
Philips, "Epitaph on Her Son"
(1667); Behn, "Epitaph on the
Tombstone
of a Child" (1685); Prior, "For My Own Tomb-stone" 1718); Jones,
"Her
Epitaph" (1750) |
| M Nov 23 | Cowper ; "Epitaph on a Hare"
(1784) "On a Goldfinch"
(1782) "To the Immortal Memory of the Halibut
on
which I Dined this Day" (1784) |
| W Nov 25 |
no class, Thanksgiving break |
| M Nov 30 |
Thomas Gray An Elegy Wrote in a Country Church Yard (1751) Gray's Latinate Syntax |
| W Dec 2 |
Gray Elegy cont. ONLINE CLASS EVALUATION FORMS: https://classeval.ncsu.edu Please fill out a class evaluation. |
| M. Dec. 7 |
All Creative
Projects, final
form, Due at My Office, NOON |
|
W Dec 16 |
Final
Exam 1-4 pm in Winston 20 |