| English 362 | Dr. Morillo |
| Eighteenth-Century British Novel | MWF 10:15-11:05 TompkinsG123 |
| Spring 2009 | Office=Tompkins 270; phone: 513-8040 |
| email = morillo@unity.ncsu.edu | |
| webpage syllabus = http://www4.ncsu.edu/unity/users/m/morillo/public/36209.htm | |
| Office Hours MWF 11;15-12:00 and by appointment | |
Description
We will read 6 British novels by men and women authors from
throughout
the "long eighteenth century," with works ranging from 1688 to 1794.
There will be stories about subjects including romance, race, libertine
women, virtuous youth, paranoia and persecution. We will read
only complete works by each author. We will discover what made
this new genre named only after its novelty enduring enough to last and
controversial enough to create paper wars over its provenance and
propriety. Who could write novels? What could they be about? How
should they be read? What makes a good one? These are the primary
questions of this course. The answers will be up to you to formulate
and revise as you read and think more about them.
Learning Outcomes:
Required Texts: all are at the NCSU Bookstore. Be
sure to buy them all in the first month, because they will start
shipping unsold copies back well before midterm.
Behn, Aphra. Oroonoko, or the Royal Slave. Bedford St.
Martins, 2000.
Defoe, Daniel. Robinson Crusoe. Norton, 1998.
Haywood, Eliza. Love in Excess. Broadview, 2000.
Richardson, Samuel. Pamela, or Virtue Rewarded. Oxford, .
Fielding, Henry. The History of the Adventures of Joseph
Andrews
/ Shamela. Broadview, 2001
Inchbald, Elizabeth. A Simple Story. Oxford, 1998
Course Requirements
Attendance:
You are allowed 3 absences. If you are absent,
unexcused,
more than 3 times over
the course of the semester, your absences will count progressively
against your final grade.
Every 2 unexcused absences beyond
the allowed 3 loses you a half letter grade off the final grade. Anyone
who misses the
first two classes can be immediately dropped from the class. NCSU
definition of an unexcused absence
Assignments
It is essential that you pace yourself on the readings. You'll need
to average about 75 pp. a session. By all means read ahead.
The work is balanced between papers, exams, a project, and daily
participation as follows:
Expected participation: come
to class on time, with the appropriate
texts,
having read and thought about them enough to have something specific
and
intelligent to say or write about them. There will be quizzes to check
that you
are doing the readings.
Late papers are accepted only one class late, and with full
grade penalty. Any papers arriving later than that will not be
accepted. Papers are due in class, printed out on paper.
How I Figure Your Grades
You must complete all the required work to pass the class. No opting
out of assigned work. I
will
grade plus/minus.
Percentages for each required graded category are figured via a
percentage of a 12-pt. scale in which
an A+ =12 and
an F=0 points. For example, a B+ on paper 1 would net you 9 x .15 or
1.35 points toward the final 12. Or, a C in participation nets
you 5 x .15 or .75, an A
on the final earns you 12 x ..25 or 3 points.
I then add up the percentage points for each required category to
determine
your grade from 0 to 12. For example, an 8.2 final score = B for
the class.
Academic Integrity Assumption
Universities are unique communities committed to creating and
transmitting
knowledge. They depend on freedom - individuals' freedom to explore
ideas
and to explore and further their own capabilities. Those freedoms
depend
on the good will and responsible behavior of all the members of the
community,
who must treat each other with tolerance and respect. They must allow
each
other to develop the full range of their capabilities and take full
advantage
of the institution's resources.
Further Reading and Research
Works
Cited format for paper 2
In addition to these sources also see:
| W. Jan. 7 |
Introduction traits of 18th-c novels |
| F 9 |
Behn Oroonoko [1688] through p. 76 |
| M. 12 |
finish Oroonoko (p.100) ; read this model close-reading essay a torn character Quiz |
| W. 14 |
Writing argument about texts draft vs. revised introductions, points and paragraphs |
| F. 16 |
Defoe, Robinson Crusoe (1719) p. 66
|
| M. 19
|
KING DAY. No Class |
| W. 21 |
continued
|
| F. 23 |
continued Quiz |
| M. 26 |
continued |
| W. 28 |
finish
Crusoe model
student essay Religious
Applications |
| F 30 |
Haywood, Love in Excess [1719], pp. 37-79 |
| M. Feb 2 |
Love in Excess pp. 81-159 Paper 1 Due |
| W. 4 |
Love in Excess pp.
160-211 |
| F. 6 |
Love in Excess pp.
212-266 Quiz |
| M. 9 |
Love in Excess |
| W. 11 |
Love in Excess Triangulated Desire as Plot |
| F. 13 |
finish Love in Excess; David Oakleaf on this novel A Didactic Novel? |
| M. 16 |
Richardson, Pamela [1740] (through letter 25; p. 64 in Oxford ed.) |
| W 18 |
Pamela (through p. 132 Friday/Sat. in Pamela's journal) Novelistic roots of Pamela |
| F. 20 |
Pamela (through p. 219, end vol. I) |
| M. 23 |
Pamela (through 219; focus on pp. 187-93 and 198-208) |
| W. 25 |
Pamela keep reading into vol. II |
| F. 27 |
MIDTERM EXAM |
| M. Mar 2 |
SPRING BREAK NO CLASS |
| W. Mar 4 |
SPRING BREAK NO CLASS |
| F. Mar 6 |
SPRING BREAK NO CLASS |
| M. 9 |
Pamela through p. 340 |
| W. 11 |
Pamela through p. 422 |
| F. 13 |
Pamela (finish [503]) quiz |
| M. 16 |
Fielding, Shamela [1741] online |
| W. 18 |
Joseph Andrews [1741] Preface (41-8) Guide to Discourses in Fielding's text |
| F. 20 |
Joseph Andrews Book
I quiz |
| M. 23 |
Joseph Andrews (Book II through Chap. 6 [p. 178] |
| W. 25 |
Joseph Andrews (finish Book II [p,.235] |
| F. 27 |
Joseph Andrews Book III through Ch. 4 Project proposals due |
| M. 30 |
Joseph Andrews finish Book
III |
| W. Apr 1 |
Joseph Andrews ( Book IV |
| F. 3 |
Joseph Andrews ( Book IV) Paper 2 Due |
| M. 6 |
Joseph Andrews ( Book IV Ch. 12, esp. story of Leonard and Paul) |
| W.8 |
finish Joseph Andrews |
| F. 10 |
NO CLASS |
| M. 13 |
Inchbald, A Simple Story [1791] (finish vol. 1, p. 93) |
| W. 15 |
A Simple Story (vol II) |
| F. 17 |
A Simple Story A Simple Story (finish vol. II, p. 193) |
| M. 20 |
A Simple Story (finish vol. III, p. 280) |
| W.22 |
A Simple Story (finish vol. IV, p. 338) Structure of Repetition |
| F. 24 |
tba |
| F. May 1, 8-11am |
Final Exam. Creative Project due |