Web syllabus: http://www4.ncsu.edu/unity/users/m/morillo/public/207Q06.html
Dr. Morillo's Office is Tompkins 270;
email
= morillo@unity.ncsu.edu
homepage=http://www4.ncsu.edu/unity/users/m/morillo/public/index.htm
Office Hours= M 2-4:30; W 2-4:30; F
2-4, and
by appointment
What can reading poetry
teach us about the relationship between creativity and critical
thinking?
Between writing and living? What is a poem? What is a good poem? Have
those
answers changed?
Course Objectives
By studying how poets see, think, and write about the world, you
will be learning
how to improve your own critical critical thinking, reading, speaking
and writing
skills.
As an Inquiry class, this special freshmen-only section will emphasize
the kinds of open-ended, challenging questions requiring significant
independent
effort, imaginative spirit, and active participation on you part.
In keeping with the Freshman Inquiry ideals, you will learn to move
from learning facts to making critically reasoned judgments and
evaluations backed with appropriate evidence. The majority of the
written work will be
papers, some analytic and
argumentative, others creative. There
will be a midterm and comprehensive final.
At the end of the course students should be able
to:
How I Figure Your Grades
Percentages for each required graded category are figured via a
percentage of a 12-pt. scale in which
an A+ =12 and
an F=0 points. For example, a B+ on paper 1 would net you 9 x .10 or
.9 points. Or, a C on participation nets you 5 x .10 or .5, an A
on the final nets you 12 x .15 or 1.8 points.
I then add up the percentage points for each required category to
determine
your grade from 0 to 12. For example, an 8.2 final score = B for
the class.
Participation includes your grades on periodic quizzes, and coming to class prepared, having done the readings and being able to talk and write about them intelligently.
You must complete all the required work to pass the class. No opting out of assigned work. I will grade plus/minus.
Attendance: You are allowed 3 absences. If you are absent,
unexcused,
more than 3 times over
the course of the semester, your absences will count progressively
against your final grade, as a
significant part --10%--of your final grade. Every 2 absences beyond
the allowed 3 loses you a half letter grade. Anyone who misses the
first two classes can be immediately dropped from the class. For the
definition of an unexcused absence, see http://www.ncsu.edu/policies/academic_affairs/pols_regs/REG205.00.4.php
Plagiarism: Anyone convicted will receive an F for the paper,
or the course at my discretion.
And yes, I have caught people in the past--in this course, in fact.
Late Papers: Papers received ONE class session late will be
accepted
but docked a full grade.
No late papers accepted after one class session late.
Disabilities: Reasonable accommodations will be made for
students
with verifiable disabilities. In order to take advantage of available
accommodations,
students must register with Disability Services for Students at 1900
Student
Health Center, Campus
Box 7509, 515-7653. http://www.ncsu.edu/dss/
Academic Integrity Assumption
Universities are unique communities committed to creating and
transmitting
knowledge. They depend on freedom - individuals' freedom to explore
ideas
and to explore and further their own capabilities. Those freedoms
depend
on the good will and responsible behavior of all the members of the
community,
who must treat each other with tolerance and respect. They must allow
each
other to develop the full range of their capabilities and take full
advantage
of the institution's resources.
Required Print Texts--available now in the NCSU bookstore.
1. Kelly, Joseph., ed. The Seagull Reader: Poems
New York: W. W. Norton, 2001.
$19.20
All readings from this Norton Anthology are indicated by page numbers
in
parentheses, after poem's title.
2. Lennard, John. The
Poetry Handbook: A Guide to Reading Poetry for Pleasure and Practical
Criticism.
2nd ed. Oxford: Oxford UP,
1996. $18.95
Required Online Texts
1.
How to Use the Oxford English
Dictionary Online (Morillo)
| W 8-23 |
Introduction: Critical
Thinking and Poetry. Bloom's Taxonomy and Eller & Paul's "Universal
Intellectual Standards" Assignment due 8-25: Book and Syllabus Quiz Readings: musical metaphors, selected metaphors and similes, ( on web site) |
| F 8-25 |
discussion of metaphors and
similes Readings: Plath Metaphors (151) Poetry Handbook ch. 1 Metre, Guide to Prosody
|
| M 8-28 |
metaphor and simile continued;
discuss Metaphors Readings: Auden Musee
des Beaux Arts (14) and Memory
of W B Yeats (15); Bishop The
Fish (18) Frost After
Apple-Picking (74); Ginsberg A
Supermarket in California (82);
Plath Daddy (152); Stafford Traveling through the Dark (176);
Williams The Red Wheelbarrow
(195); Thomas Do
Not Go Gentle into That Good
Night (190); Yeats The Lake
Isle of Innisfree; Eliot
(if time) The Lovesong of J. Alfred
Prufrock (59) |
| W 8-30 |
Listening to Poets Reading (see
8-28 Auden to Eliot) Biographies of Poets in Seagull Reader 209-235 Paper 1 Assignment (due 9-8) |
| F 9-1 |
Metaphors
and metaphor: discussion, your metaphors,
Plath's poem Readings: Poetry Handbook ch. 6, Rhyme |
| M 9-4 |
Labor
Day. No Class |
| W 9-6 |
Resounding Words Carroll Jabberwocky ( 37); Coleridge Kubla Khan ( 38); Hopkins God's Grandeur ( 99); Kinnell, Blackberry Eating ( 125). |
| F 9-8 |
Paper
1 Due |
| M 9-11 |
Critical Thinking in
Expository Writing |
| W 9-13 |
Understanding Meters |
| F 9-15 |
Scansion of Digging due Scansion workshop. Collaborative teams compare results |
| M 9-18
|
Complex Forms: |
| W 9-20 |
Centuries of Sonnets |
| F 9-22 |
Browning Sonnet 43 (32); Shelley Ozymandias ( 170); Keats When I Have Fears that I May Cease to Be (117) |
| M 9-25 |
Yeats Leda
and the Swan ( 206); Millay What
My Lips Have Kissed
(14); Frost Design (81);
Collins Sonnet (43) |
| W 9-27 |
Free Verse Whitman A Noiseless Patient Spider (190); Moore Poetry (145); Olds Sex Without Love (147); Williams The Red Wheelbarrow (195); Stafford Traveling Through the Dark ( 176)Readings: Poetry Handbook (14-17) |
| F 9-29 |
Prosody Practice: Application &
Evaluation (9-29 to 10-6) Meter
Quiz Scansion Practice
Poetry
Handbook chap 1 Metre: Comprehension
& Applications:; Donne The
Flea Scansion
& Prosody Page |
| M 10-2 |
|
| W 10-4 |
Poetry Handbook chap 4 Punctuation: Dickinson Fly Buzz; Frost After Apple-Picking |
| F 10-6 |
Poetry Handbook chap 5 Lineation. Bishop Sestina; Whitman Learned Astronomer; Ginsberg A Supermarket in California; cummings Buffalo Bill's |
| M 10-9 3 |
Poetry
Handbook chaps 8, 7 Syntax & Diction. Comprehension
&
Applications: Donne Flea;
Gray Elegy Written in a Country
Churchyard |
| W 10-11 |
Papers 2 and 3 due Midterm Exam in class |
| F 10-13 |
no
class, fall break |
| M 10-16 |
Shared
Subjects--Representing Spiders: from Pope Essay on Man ; Whitman A
Noiseless Patient Spider (190); Frost Design (81) |
| W 10-18 |
Shared
Subjects--Myth of Icarus: Brueghel
paintings of Fall of Icarus and Massacre
of the Innocents Auden Musee
des Beaux Arts (14);
Rukeyser Waiting for Icarus
|
| F 10-20 | Shared Subjects--Poetry MacLeish Ars Poetica ( 138); Moore Poetry (145); Collins Introduction to Poetry Heany Digging (94) Hughes Theme for English B (112) |
| M 10-23 |
On Love: Herrick Upon Julia's Clothes
(99); Hayden Those Winter
Sundays (93); Millay What My Lips Have Kissed (142); Olds Sex Without Love (147) Paper 4, Peer Critiques of Sonnet Due Paper 5 Assignment (due 11-3 as draft, 12-11 revised |
| W 10-25 | your sonnets, available here online: Sonnet |
| F 10-27 |
On Death Collins Picnic, Lightining
(40) cummings Buffalo Bill's
(44); Dickinson Because I Could Not
Stop for
Death (48); Frost Home Burial (69); Jarrell
The Death of the Ball Turret
Gunner (113); Komunyaaka Facing
It (126);
Owen Dulce et Decorum
Est (149); Kumin Woodchucks (128); Brooks The Mother
(29) Larkin Aubade (130); Stafford Traveling
Through the
Dark (176); Gray Elegy Written in a Country Churchyard (83) |
| M 10-30 |
poems on death continued |
| W 11-1 |
poems on death continued |
| F 11-3 |
|
| M 11-6 | poems on faith continued Paper 5 due as draft Paper 6 Assignment (due as draft 11-20): Write a Poem |
| W 11-8 |
Students'
Oral Presentations of Poems (11-8 to 11-20) students 1-4 |
| F 11-10 |
students 5-8 |
| M 11-13 |
students
9-12 |
| W 11-15 |
students 13-16 |
| F 11-17 |
students
17-20 |
| M 11-20 |
Paper 6, draft
of your poem due spoken word |
| W 11-22 |
no class Thanksgiving |
| F 11-24 |
no class Thanksgiving |
| M 11-27 |
NCSU
Poets Week: undergraduate, graduate, and faculty poems. Poems of Dr. Tom Lisk |
| W 11-29 |
NCSU poets: Poems of Noel Moore, MFA student |
| F 12-1 |
NCSU poets TBA Poems of Dr. Jon Thompson |
| M.12-4 |
review for exam |
| W 12-6 |
review for exam |
| F 12-8 |
review for exam |
| M 12-11 |
final
exam; revision of paper 5 &
paper 6, your poem(s) due |